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Page 4
“Soul To Soul” Live 1971, feat IKE & TINA TURNER/WILSON PICKETT/Santana/ROBERTA FLACK/STAPLE SINGERS
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Apartheid in South Africa 1957 Documentry
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The Untold Story of King Leopold who killed overf 10 million African People
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A Brief History of Sound Clash Culture
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The Disturbing Truth about Breeding Farms During Slavery
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The Slave Bible
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The 1619 Project on Hulu
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How and Why Germany Got Rid of its Black Population
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Namibia: Genocide and the Second Reich
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The Little-Known Story of Millie and Christine McKoy: Conjoined Twins Born into Slavery Who Rose to Fame as Entertainers
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Recent Posts
How Black music record stores shaped the sound of the UK. Black music record stores have always been more than just places to buy records. These spaces became lifelines for communities, cultural hubs where people gathered, shared stories and connected over a shared passion for music
These tests, writes Rebecca Onion at Slate, were “supposedly applicable to both white and black prospective voters who couldn’t prove a certain level of education” (typically up to the fifth grade). Yet they were “in actuality disproportionately administered to black voters.”
Elizabeth Catlett: The Radical Black Artist America Exiled
STAX: Soulsville U.S.A. | Official Trailer | HBO
The opera “Omar,” on a Muslim slave in America: loosely follows the life of Omar ibn Said, and is based on his autobiography A Muslim American Slave: The Life of Omar ibn Said, written in 1831, mostly in Arabic. It is the only known memoir written by a slave in America in Arabic.[1] The work was translated into English by Ala Alryyes and published by the University of Wisconsin Press in 2011
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