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the facts of whiteness
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Page 6
Paul Robeson Plays Touissant L’Overture in 1936
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an eloquent summation of white supremacy
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Adebunmi Gbadebo is a visual artist who creates sculptures, paintings, prints, and paper using human hair sourced from people of the African diaspora. Rejecting traditional art materials, Gbadebo saw hair as a means to center her people and their histories as central to the narratives in her work.
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‘Tirailleurs’ examines the oft neglected story of Colonial soldiers forced to take up somebody else’s fight.
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African Queens
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The Untold Story of Joseph Bologne, the Prodigy known as “Black Mozart”
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‘Why We Still Love Zora’: Irma McClaurin on PBS Documentary ‘Claiming a Space’ and Zora Neale Hurston’s Legacy
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The Secret of Selling the Negro Market is a 1954 film financed by Johnson Publishing Company, the publisher of Ebony magazine, to encourage advertisers to promote their products and services in the African-American media.
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‘My only sin is the colour of my skin’. Louis Armstrong.
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The
Cave of Adullam
was originally a stronghold referred to in the
Old Testament
, near the town of
Adullam
, where future King
David
sought refuge from
King Saul
.
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Recent Posts
How Black music record stores shaped the sound of the UK. Black music record stores have always been more than just places to buy records. These spaces became lifelines for communities, cultural hubs where people gathered, shared stories and connected over a shared passion for music
These tests, writes Rebecca Onion at Slate, were “supposedly applicable to both white and black prospective voters who couldn’t prove a certain level of education” (typically up to the fifth grade). Yet they were “in actuality disproportionately administered to black voters.”
Elizabeth Catlett: The Radical Black Artist America Exiled
STAX: Soulsville U.S.A. | Official Trailer | HBO
The opera “Omar,” on a Muslim slave in America: loosely follows the life of Omar ibn Said, and is based on his autobiography A Muslim American Slave: The Life of Omar ibn Said, written in 1831, mostly in Arabic. It is the only known memoir written by a slave in America in Arabic.[1] The work was translated into English by Ala Alryyes and published by the University of Wisconsin Press in 2011
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