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the facts of whiteness
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Page 20
9 African Kings and Queens whose stories must be told
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Harlem Cultural festival 1969
https://www.youtube.com/watch?v=3F8Cqp7smwM
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Daryl Davis and the KKK
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on the 28th August 1963
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Malcolm X’s Letter from Hajj
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The Chaotic Brilliance of Jean-Michel Basquiat
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who were the Girls of the Leesburg Stockade?
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Ta-Nahesi Coates brilliantly explains why white people can not use the N-Word
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Riding high with Mississippi’s black cowboy community: Delta Hill Riders: a community of African American cowboys and cowgirls that have been erased by mainstream culture.
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Toni Morrison: The Pieces I am (trailer)
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Recent Posts
How Black music record stores shaped the sound of the UK. Black music record stores have always been more than just places to buy records. These spaces became lifelines for communities, cultural hubs where people gathered, shared stories and connected over a shared passion for music
These tests, writes Rebecca Onion at Slate, were “supposedly applicable to both white and black prospective voters who couldn’t prove a certain level of education” (typically up to the fifth grade). Yet they were “in actuality disproportionately administered to black voters.”
Elizabeth Catlett: The Radical Black Artist America Exiled
STAX: Soulsville U.S.A. | Official Trailer | HBO
The opera “Omar,” on a Muslim slave in America: loosely follows the life of Omar ibn Said, and is based on his autobiography A Muslim American Slave: The Life of Omar ibn Said, written in 1831, mostly in Arabic. It is the only known memoir written by a slave in America in Arabic.[1] The work was translated into English by Ala Alryyes and published by the University of Wisconsin Press in 2011
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A Dedication