The Blog
About
the facts of whiteness
Examining whiteness through the black gaze
Essays
Introduction
Fanon and hooks
The Black Gaze
Critical Race Theory and White Supremacy
How I came to be white, my facts of whiteness
“Nigger”
Culture
Black Cinema: Free PowerPoint Presentation
African American Artist: Charles W. White, Jr.
The Harlem Renaissance
Reggae and The Influence of Music
Fela Kuti and Afrobeat
Booklist & Weblinks
About the Author
How I came to be white, my facts of whiteness
The Blog
The Blog
Home
The Blog
Page 9
Did you know Ali starred in a musical called “Buck White”, which opened at the George Abbott Theater in New York on 2 December 1969.
+ Read More
ABC Tried to Bury This James Baldwin Interview. Four Decades Later, It’s still Relevant.
+ Read More
‘Waco Horror Story’: Historical marker for 1916 lynching of Jesse Washington
+ Read More
Muhammad Ali Never Before Seen Interview With David Frost Debating Race In The 1960s
+ Read More
Would there be any conversation if Joe Rogan had made antisemitic comments or would he have been sacked?
+ Read More
Who we are: a chronicle of racism in America
+ Read More
‘We have come so far but so little has changed’. The story of Mamie Till-Mobley
+ Read More
African American Museum ‘Virtual Tour’
+ Read More
“The 1619 Project,”
+ Read More
Remember ‘Pure Hell’
+ Read More
1
…
7
8
9
10
11
…
39
Join the debate
Follow me on
Recent Posts
How Black music record stores shaped the sound of the UK. Black music record stores have always been more than just places to buy records. These spaces became lifelines for communities, cultural hubs where people gathered, shared stories and connected over a shared passion for music
These tests, writes Rebecca Onion at Slate, were “supposedly applicable to both white and black prospective voters who couldn’t prove a certain level of education” (typically up to the fifth grade). Yet they were “in actuality disproportionately administered to black voters.”
Elizabeth Catlett: The Radical Black Artist America Exiled
STAX: Soulsville U.S.A. | Official Trailer | HBO
The opera “Omar,” on a Muslim slave in America: loosely follows the life of Omar ibn Said, and is based on his autobiography A Muslim American Slave: The Life of Omar ibn Said, written in 1831, mostly in Arabic. It is the only known memoir written by a slave in America in Arabic.[1] The work was translated into English by Ala Alryyes and published by the University of Wisconsin Press in 2011
Categories
film
literature
music
observations
Tags
50s
70s
90s
1950s
bob marley
cinema
fashion
film
foreign policy
hip hop
Hollywood
jazz
masculinity
NY
public enemy
reggae
slavery
spike Lee
steve mcqueen
terror
Tweets by @Den_Fabrizi
A Dedication
